New Year (almost), new Sky Digibox

Posted by Chris Green on Thursday December 29 @ 7:24 pm

Pace DS430N Sky Digibox
On Boxing Day I decided it was time to replace the Sky Digibox in the study.

For some time now the Digibox has been struggling to cope - it’s an old box and technology plus the demands of the Sky Digital service have long since moved beyond what it was actually built to cope with.

The Pace 2200 dates back to when Sky first launched its digital satellite service. In that time much has changed with the service - the number of channels has exploaded and Sky has done a great deal of development on the platform, enhancing and bug fixing the Digibox firmware and adding new features. This development and expansion of the firmware on the box coupled with the volume of channels the box is being asked to manage adds up to more than its old and, by today’s Digibox standards, slow processor can cope with.

So, a quick wander on to eBay and £100 and two days later, we now have a brand new Pace DS430N (the very latest non-Sky+ Digibox) in the study.

And it runs like a sports car compared to the box it replaced.

Of course, this is just our secondary box, we still have the mark two Pace Sky+ box in the lounge with the hacked 160GB hard drive upgrade fitted.

UK TiVo becoming a must-have at last?

Posted by Chris Green on Wednesday December 21 @ 11:38 pm

TiVo Logo
It is a surprise, considering how spectacularly TiVo flopped in the UK, that used and refurbished units are going for upwards of £300 on eBay at present.

For those of you who have not experienced TiVo, it is a similar form of digital video recorder to the Sky+ which currently dominates the UK marketplace. Unlike the Sky+, it has no built-in DVB satellite tuner, and instead connects to your existing Sky box, Freeview box, analogue aerial, VCR etc.

It was and is technically better than the Sky+, supporting predictive recording and over-the-air recording set-up.

Anyway - do a search on ebay UK for TiVo and prepare to be shocked at the prices. Just remember that you will still need to spend £10 a month for the TiVo electronic programme guide subscription (the service still operates in the UK and accepts new signups) in order to get the full benefit of the device.

I’ve bought the video iPod

Posted by Chris Green on Tuesday November 15 @ 1:01 pm

I’ve finally diven in to temptation and bought a video iPod. After initally hating this device, I have slowly been won over by it and the associated video offerings from Apple and numerous video podcasters, and so while in Ontario, California last week at the Podcast and Portable Media Expo, I had Amazon.com ship a 60GB unito to my hotel.

Having now logged some serious play time with the new iPod on the flight home and last night while failing to sleep, I can say that it is a definite technology success. The video playback quality is very impressive, thanks to the use of hardware video decoding over software-based, the audio playback is equally impressive, though still not as good as my iRiver H320, and the enlarged screen is bright, sharp and much better suited to viewing long playlists and the podcasts subfolder.

So far I have only added a couple of music videos, a Pixar short, and a few episodes of the excellent video podcast Rocketboom to the device, but I am sure that come the weekend, I’ll have this baby fully stocked with content.

More on the Podcast and Portable Media Expo later, once I have had a chance to shake off the jetlag.

Warming to the new Apple Video iPod

Posted by Chris Green on Saturday November 5 @ 2:58 pm

When Apple announced the Video iPod, I was somewhat disappointed with the device. While it does an excellent job of playing video, I was disappointed that Apple opted for crowbarring a 2.5inch screen into the existing form factor, rather than redesigning the device to accommodate a much larger, widescreen display.

I was also disappointed that the new iPod only ships in 30GB and 60GB configurations, with no 80GB or 100GB option - lets face it, with video content now coming thick and fast in the form of music videos, tv shows, movie shorts, video podcasts and iPod porn - the more storage available the better!

However, the more I play with the device the more I warm to it - I am still disappointed by the lack of a bigger unit than the 60GB one, but I am starting to come to terms with the small screen - it really is OK to watch for a prolonged period.

One has to wonder how long it will be before I sell my 4GB Nano and 3G 40Gb iPod and invest in a 60GB Video iPod.

Apple launches video iPod, new iMacs and home media centre software

Posted by Chris Green on Friday October 14 @ 5:15 pm

This past Wednesday night I spent the evening in Studio 4 at BBC Television Centre in White City, West London. This was the venue hired by Apple for the evening to allow the press and various other invited guests to view the live satellite feed of the Apple product launch event that took place in California.

Speculation was rife as to what the new product would be, with everything from a video-enabled iPod to the first Intel-based Powerbooks suggested.

In fact, a video-based iPod was indeed one of several announced new products, along with one I had been tipping for over a week.

Lets get the iPod out of the way first. Two new hard disk-based models were announced, replacing the existing 20GB and 60GB iPod Photo models currently on sale.

Apple's new video-enabled iPod

The two models, a 30GB and 60GB will sell for £219 and £299 respectively in the UK ($299 and $399, plus tax, in the US) and are both slightly thinner than the models they have replaced, although both are use traditional hard drive technology, not on Toshiba’s new perpendicular magnetic storage technology, as had been widely expected.

The screen is sharper, and is slightly larger (2.5 inch diagonal) than a conventional non-video colour iPod (2 inch diagonal), and can display video and images at a reasonable 320×240 resolution, which is half VGA resolution.

Battery life has also improved, with the 30GB offering up to 14 hours run time, and the 60GB offering up to 20 hours run time off a full charge. However, continuous video playback reduces this to two and three hours respectively.

However, the whole device leaves me disappointed. Rather than embracing the medium Apple really has just stuffed the functionality into an existing iPod form factor. To give it due, the playback quality of the demo units and their example episodes of Desperate Housewives and Lost were very impressive. However, it is still too small to watch for an hour at a time. I’ll be saving my pennies for the next version, which will hopefully have a slightly larger, 16×9 ration display on it.

Also announced alongside the iPod was a whole new version of iTunes, version 6.0, which to be perfectly honest doesn’t really look any different to version 5.01, except for an extra menu option for your video library, and subsequent driver support for the new iPod models, along with support for downloading, playback and transferring video to the device itself.

But the main event was in fact the first item announced by Apple chief exec Steve Jobs – the new iMac. Cosmetically the same as the previous G5 iMac, the new model is half an inch thinner, features faster G5 chips, bigger, faster hard drives, faster memory and an integrated iSight camera that is also of a better specification than the standalone iSight.

Now I have seen inside the previous iMac G5 model, and I can right now that it didn’t exactly have bags of unused space inside the case. In fact, it was the most densely packed computer I have ever seen, with ever inch of space put to use and devices and fans strategically placed to ensure maximum cooling amid the few conduits for airflow that existed. Therefore, shaving another half an inch off an already slim machine is a technical marvel.

Integrating the iSight camera is a masterstroke. The iSight is easily the best webcam with integrated mic on the market. However, it is painfully underutilised within MacOS – only iChat AV uses it, and as such it does not sell nearly as well as it should. Fitting the iSight into the actual iMac display not only ensures that people will have a powerful videoconferencing platform at their disposal whether they like it or not (and they will eventually use it), but it will be a catalyst for increased use of iChat AV and sales of standalone iSight cameras.

In addition to the new iMac, Apple announced two new pieces of software, which for now will be exclusively bundled on the new slimmer iMac (though expect them to appear in the next release of the paid-for iLife suite, expected in January).

First is Photobooth, a very silly, but very fun tool for taking still images using your iSight webcam. AS well as taking conventional pictures, you can apply a number of different effects to them, including fisheye and x-ray – all demonstrated with great hilarity by Jobs.

But the big one is Front Row – Apple’s very impressive first attempt at a home media interface to rival Microsoft’s Windows Media Centre operating system.

Using the newly launched and bundled 6-button remote control (which looks like, and is no bigger than an iPod Shuffle), users can switch their iMac into Front Row mode, whereby the MacOS desktop disappears and is replaced with four icons, providing easy access to your stored music, videos, photos and your DVD drive. All very simple and very minimalist – a user interface not too far detached from the iPod itself. The remote even has a weak magnet in it so you can stick it to the side of your iMac for safekeeping.

Apple remote

While Front Row is just a playback mechanism so far, I’m sure that over time it will take on more Media Centre-like features such as the ability to control TV cards and record TV and radio straight to the hard drive for playback later and time shifting. Either way – for a first stab at a completely new medium, I was very, very impressed. I was very surprised that they have opted to bundle it with the iMac, and not something a bit more living room-friendly such as the Mac Mini (which in turn could be easily plumbed into a TV) or an entirely new TV-friendly device. I have a strong feeling that such a plan is already in the works at Apple for the not too distant future.

One last thing - Apple also announced the universal iPod dock. Purchasers of the recently launched iPod Nano will have noticed that the pack included a dock adapter, which the Apple web site explains away as being for future products. That future product has arrived – one dock to fit them all. The dock, which is very similar to the Kensington Stereo Dock, except that it also connects to your computer for synching as well as to a hifi, ships with inserts for all legacy dock-connector iPods from the 3rd generation iPod to the present models. The Nano and the video iPods include their respective inserts in the box with the iPod itself. You simply snap in the insert for your model. The dock has an integrated infrared receiver, and is compatible with the new Apple remote, which is available separately as well as bundled with iMac. The Apple remote can control the play, pause, fast forward, rewind and skip controls – the same as the now discontinued wired remote.

Apple Universal Dock

The video iPods, the universal docks, remote controls and the new iMacs will be available from Apple Stores and online in around a week, while iTunes 6 is available for download now.

One week to go until Frightfest

Posted by Chris Green on Friday August 19 @ 6:24 pm

Frightfest - 26-29 August 2005 at the Odeon West End - www.frightfest.co.uk

Well there is just seven days to go until Frightfest.

I’m all set - I have our weekend passes, I have plans in place for a slap-up Chinese meal at some stage over the four-day period, as well as options for eating on the run between movies. I have purchased a new small bag for carrying my junk around in (so I won’t need a big ruck sack or messenger bag), I have been down to the cinema and picked up a couple of the 60-page Frightfest brochures (and thus I have the inside info on every film and short screening over the duration of the festival) and I’ve ordered a copy of the DVD version of Night of the Living Dead, which I’m going to get signed by George Romero the director.

In short - I can’t wait!

More on Frightfest, individual tickets go on sale August 1

Posted by Chris Green on Tuesday July 26 @ 12:38 pm

Frightfest 2005 - www.frightfest.co.uk

Just to clarify a couple of things, as I’m not sure it was clear in my post yesterday:

1) Frightfest rocks!
2) The team who organise it are fantastic, and I have a great deal of time and respect for them.
3) The box office staff at the Odeon are terrible, and it saddens me that their conduct is/could have a negative impact on the bloody hard work that Ian, Alan, Paul and everyone else involved put in to organising the event.
4) I definitely WAS NOT having a dig at the people behind Frightfest.
5) I was appalled by the box office and management staff at the Odeon West End.

Now that is clear - lets get on to the important stuff - why you MUST attend!

Among the ton of movies on show are the public pre-screening of Land of the Dead, with the director George A. Romero in attendance (subject to change of course). Evil Aliens, which is set to be another UK horror success alongside Shaun of the Dead, Wolf Creek, a startling story of British tourists lost and in danger in the Australian badlands - How Can You Be Found When No One Knows You’re Missing, and Dominion, the original Exorcist prequel that was subsequently canned and reshot as the one that went on general release.

It’s four days of solid movies, with shorts and surprises scattered inbetween the main features. Last year we saw, among other things, a 15-minute clip from Alien vs Predator long before it hit general release, and the previous year we were treated to a preview of Shaun of the Dead and a presentation from star Simon Pegg and director Edgar Wright.

Weekend passes (£130 - including goody bag) are still on sale, and tickets for individual movies (£10 per film) go on sale from August 1st.

BUY NOW!!!!

Frightfest woes

Posted by Chris Green on Monday July 25 @ 5:28 pm

Popped out from work earlier today to go down to the Odeon West End in Leicester Square, to purchase weekend passes for the Frightfest horror film festival taking place there over the August Bank Holiday weekend.

I popped down to the Odeon West End at lunchtime today to buy two weekend passes, one for me, the other for my girlfriend Liz. It took nearly 45 minutes, and my loudly demanding to see the manager, before I could actually hand over my £260 and get my two weekend passes.

The reason: The woman manning the box office (her name badge said her name was Carmen) repeatedly insisted, eventually getting very abrupt and rude, that the cinema did not sell weekend passes or any other kind of ticket for Frightfest, and that I should try ‘elsewhere’. Realising that I was not going to go away, as I knew she was talking nonsense, she eventually reduced her responses to my repeated insistence and explanation that the Odeon West End does sell tickets for the Frightfest, down to “We don’t sell tickets for the film festival - go away”. This farce wasted over half an hour. A chap who I was chatting to behind me in the queue was also waiting to buy a weekend pass, and walked out at that point - I am guessing that is a lost sale.

As I said, I had to demand the appearance of a manager at high volume before we got anywhere near resolving the matter. When a manager (no name given) finally appeared, he did at least know about the existence of the event and the cinema’s ability to sell weekend passes for it, and set about logging into a spare till to sell me my tickets. I should add that at no point did he actually stop to correct his co-worker on her error or her conduct.

After a 10 minute wait while he got manual authorisation for my credit card (yep, their entire till system does not support electronic credit card authorisation), I eventually got my passes.

Suffice to say, words need to be had with the managers in charge of the Odeon West End, before they deter and piss off any more people planning to attend Frightfest, especially with individual tickets going on sale in a week’s time.

I have alerted the organisers of the event to this incident, and I’m sure they will take swift action. They are a good bunch of people, and the last thing I want to see happen is for their festival to be ruined by a lazy, stupid and moronic cinema worker who couldn’t bring herself to do a few minutes work.

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